TAJ MAHAL
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AJANTA CAVES
The world famous Ajanta Caves
including the unfinished ones are thirty in number, of which five (9, 10,
19, 26 and 29) are chaitya-grihas and the rest are viharas
(monasteries). After centuries of oblivion, these caves were discovered in
AD 1819. They fall into two distinct phases with a break of nearly four
centuries between them. All the caves of the earlier phase date between
second century BC-AD. The caves of the second phase were excavated during
the supremacy of the Vakatakas and Guptas.
A few paintings, which survive on the
walls of Caves 9 and 10date back to the second century BC-AD. The second
group of the paintings started in about the fifth century AD and continued
for the next two centuries as noticeable in later Caves. Caves 1, 2, 16
and 17 have remarkable paintings with themes intensely religious in tone
and centre around Buddha, Bodhisattvas, incidents from the life of Buddha
and the jatakas. The paintings are executed on a ground of mud-plaster in
the tempera technique.
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SUN TEMPLE
Konark is the Kainapara of the
Periplus (first century AD) - an important port of the Orissan coast. The
most notable marvel is the stately Sun Temple, built in c. AD 1250, during
the reign of the Eastern Ganga King Narasimhadeva-I (AD 1238-1264), to
enshrine an image of Sun (Arka), the patron deity of the place. The entire
complex was designed in the form of a huge chariot drawn by seven spirited
horses on twelve pairs of exquisitely carved wheels. The sanctum
symbolises the majestic stride of the Sun-god and marks the culmination of
the Orissan architectural style. The walls of the temple contain superb
carvings of divine, semi-divine, human and animal figures amidst floral
and geometric ornamentations. The vivacious kanyas, dancers and musicians
are remarkable for their sensuous modelling, pulsating with human emotions
which are absorbed in a variety of gestures and rhythmic actions. Mighty
simha-gajas welcome the visitor at the porches